The Website of Karl Wilcox

Tales From the Cafe

Sun, 05 Jul 2026 00:00:00 +0100

Sticking to the same formula as the first volume this is another delightful trip to the Funiculi Funicula coffee shop with its unchanging decor and strange rules for time travel.

The construction of the stories is always clever, especially given the restrictions imposed by those rules, although perhaps inevitably there is are a lot of tragic deaths involved. The nice thing is that every time travel journey improves the happiness of someone and sometimes both parties come out better for it. I also like the way that the journeys are all independent, carried out for their own reasons but that the story as a whole advances as we learn more of the lives of the coffee shop staff.

I did sometimes struggle with the names (even Miki gets confused them…) but the helpful chart at the front of the book proved invaluable - every book should have one!

We’ve now got someone new in the chair so it will be interesting to see whether we get their back story in the next volume.

A lovely series, thoughtful and charming, with nice pastel colour choices on the paperbacks.

Notes From the Ginza Shihodo Stationery Shop

Sun, 05 Jul 2026 00:00:00 +0100

How could you not want to read a book that has a cat and Mont Blanc pens on the cover and talks about real stationery products? Well I certainly couldn’t, and I don’t regret a thing.

Although this is the second volume of the set it works perfectly well as a stand-alone. A series of unrelated stories of happenings in and around the eponymous stationery store. This is an easy read, both in terms of the short, declarative language used, and in the straight-forward but none-the-less interesting stories, each short enough to read in a single sitting.

We learn the backstories of some of the characters from the first book, some new customers arrive and we learn a lot about stationery products too.

I really enjoyed this, the stories are charming, undemanding but nicely constructed as separate pieces - there’s no attempt to link them together in some intricate lace, just the plain facts.

I was inspired to look again at my own (embarrassingly large) collection of pens, notebooks and sketchpads and itching to visit a stationery shop myself (there’s a good one in Sheffield city centre as I recall).

A really pleasant read and I’ve added the first volume to my wish list as well.

Treasure Island

Wed, 01 Jul 2026 00:00:00 +0100

Everyone thinks that they know the story but they don’t really – just memorable scenes from it, especially Long John Silver and his parrot (which everyone thinks is called “Polly” but is in fact “Captain Flint”.)

I thought this was great! Despite being written specifically for children there are no punches pulled here – there is a lot of violent death and some fairly gruesome scenes.

More importantly, the characters themselves are complex, especially Jim Hawkins and Silver himself. Jim makes decisions that he himself considers to be bad ones, although the “hero” of the story he succeeds not through explicit acts of “heroism” and bravery but by making the most of some lucky breaks.

And Silver especially is an enigma. Clearly exerting a powerful (but not infallible) hold over his men, but does he care for them? Does he have a soft spot for Jim or is it an entirely opportunistic “partnership” that is convenient to him for the moment?

If this was a set text in English Literature course I’m sure that many an essay could be written on the subject of “Long John Silver – Good, Bad or just Selfish”?

A great story that deserves its enduring print run. Obviously aimed solely at boys (with barely a female character in sight) it is clearly of its time but no less a cracking story for it.

The Penguin Classics edition also has some interesting supplementary material that is worth reading as well.

Secrets We Hide

Tue, 30 Jun 2026 00:00:00 +0100

I pre-ordered this audiobook as soon as I had finished the first of the North Falls series and listened to it soon after its release.

A gripping story, massively enhanced by the superb performance of the narrator Kathleen Early who puts on some great accents and a huge amount of passion that really drags you into the story (although I was sometimes “taken out of it” every time one of the cops puts on their “doody” vest).

A murder mystery that appears to be a domestic matter when an abused wife seems to be on the verge of leaving, this turns out to have roots deep in the past. During the investigation we also learn more of the history of Emmy’s sister Jude and her childhood (as Martha) and it turns out that the secrets of the title are not just those of the bad guys.

A completely convincing tale that really puts you inside the claustrophobia of a town run by the many interlinked descendants of the founding family, but also showing the opportunities that this networking allows for.

The story takes place over just a few hot days of summer and the pace really never lets up. This one is more of a two-hander with Emmy and Jude pushing each other to move forward on the case, while at the same time running a campaign for re-election as sheriff against the conservatism and misogyny of the police department.

Another great read from Karin, further improved by Kathleen in the audiobook version. Well done to both.

Rivers of London

Mon, 29 Jun 2026 00:00:00 +0100

This could really be marked as a retro review as I first read this quite some time ago, but having obtained a good price on the complete set of paperbacks in the Prime Day sale I have actually re-read this one so it should go into my monthly stats!

You know how I have a weakness for a nice set of matching paperbacks - the difficulty here is deciding what order to put them in as some of the novellas are published out of sequence to the internal chronology…

Anyway, back to the where it all began and I have to say that this still stands very well as a fantasy novel in its own right. What does impress me is the that the fantasy world pretty much all exists right from the start. There isn’t much that is introduced in the later novels, certainly no new “mechanics” or radically different creature classes, all the basics of the world are mapped out pretty well here. Later novels introduce minor variations and embellish it but the essential world building is all right here.

I went to a talk recently with Adrian Tchaikovsky and Peter F. Hamilton and both of them said that they spent a lot of time world building and planning before embarking on the actual writing journey. That may well be one reason for their success, and it looks like Ben follows the same path (and here’s me thinking that an author just sits down one day and starts bashing away at their keyboard…)

You know the multiple story lines here - the riotous spirit of London personified and causing mayhem where it will, battling genuis locii of the upper and lower Thames and our cast of supporting characters getting their first outing - Mollie, Dr. Walid, Frank Caffery and best of all DCI Seawoll.

It is good, complex and meaty story that moves along at a cracking pace and manages to combine realistic police procedure with the supernatural and reaches a satisfying conclusion but leaves open plenty more to explore, as we do over the next 12 (and counting) novels, not to mention the graphic novels…

Tower of Glass

Sun, 28 Jun 2026 00:00:00 +0100

I picked up a Humble Bundle of 30 odd novels and short story collections by Robert Silverberg (although this is still just a fraction of his back catalogue!)

More or less at random I took a look at this one, written in 1970, well before the Majipoor books.

This is pretty straight science fiction that has aged pretty well. Following a fall in population, Androids created in a factory take on many roles in society.

There’s some high technology involved, mind transference (offered as a plaything for the rich) and teleportation (helpful to literally keep the plot moving along) and fusion drives, none of which seem jarring to the reader 50 years later.

This at first appears to be an alien first contact story but later evolves into a meditation on artificial life and how that artificial intelligent life might think about its creator – and, what’s more, how that creator might react to his own creations and their ideas about him.

Not on a par with the sweeping imagination and sense of wonder that you get from Majipoor but, a competent example of 1970s science fiction that holds up well today. A gifted (as well as prolific) author.

Sedimentary Rocks

Sat, 20 Jun 2026 00:00:00 +0100

A pristine orbital landscape

“But what about sedimentary rocks - do you have any of those?”

“Ah!” Said Quarnax keenly, his characteristic enthusiasm suggesting that I’d hit upon a topic of particular interest to him.

Since arriving on the GSV Serious Lack of Commitment some months ago I had started to get over what “call me Serious” had described as, without any apparent irony, my “culture shock” and been let out on my own more, to make my own investigations. I’d also come to realise that the lack of apparent irony was absolutely no indication of whether irony was genuinely present and Serious liked nothing better than to be ironic, sarcastic or downright rude without showing an iota of it in his outward manner.

But when I had asked my companion / guide Esternor about Orbital construction he was somewhat flummoxed. In fact, this wasn’t unusual for him - he wanted to apply to Contact and as part of his appraisal had been assigned to me (as a resident “alien”, non-Culture person) as my guide and mentor. To make the task more challenging Serious had arranged that whenever Esternor was within 10 meters or so of me his neural lace would stop communicating and he had to rely on his own wits and knowledge such as they were. I also suspected that this was another never-to-be-admitted touch of thoughtfulness on the part of Serious - to pair me up with someone who, despite having been born and raised on the GSV, without his lace would occasionally forget where he was or what actual purpose an Auricular Venting Parlour served and was thus nearer my own level of cultural (hard to get away from that word) awareness.

To put Esternor out of his discomfort, and also to avoid him simply saying out what the neural lace planted in his head from the GSV data sphere Serious had put me in touch with the avatar of a fellow GSV, Quarnax.

Just as the Serious Lack of Commitment maintained avatars as guests of dozens of other ships, orbitals, planets and other culture civilizational bits and pieces, Quarnax was a guest of his own from the Continent class GSV Gently Doesn’t Do it. Now all GSV’s could, to a greater or lesser extent do literally anything that the Culture was capable of doing (that was what the “General” meant after all) but there was still benefit to be gained from some degree of specialisation and the Gently was an orbital construction specialist. Not out of any grand plan or master allocation of roles, the ship simply enjoyed doing Orbital Construction so had carved itself a niche and gained something of a reputation as a master of the art. It was made subtly clear to me that the prescence of the Quarnax avatar was both a fortunate chance and a privilege for me (as much as these things existed in the desperately egalitarian Culture).

Actually Quarnax had seemed delighted by the prospect of someone to talk to and had taken the trouble to download a personality update from his home vessel, currently nosing around further down the galactic arm looking for construction candidate solar systems, just so he was right up to date with the latest thinking and techniques.

Like many avatars, Quarnax took the form of an androgynous human in reflective silver but wearing normal outer clothing so from a distance could be taken to be someone wearing a shiny mask and gloves.

We were meeting in small cafe at the upper edge of the Topside park, overlooking the sylvan spring that was the source of the park’s major river. This was an assemblage of rocks out of which squeezed a surprisingly large flow of water which wended its way down the park, offering exciting rapids and sporting opportunities in the upper reaches but settling to a broader more placid experience lower down, before disappearing in a haze of mists at lower falls - presumably into a big tank that was plumbed via massive pumps back up to the spring.

The semi-random weather system had settled on a hot day, the sun line almost at maximum with just a gentle breeze sufficient for the kite flyers in the meadow below. We were sitting in garden chairs beneath large umbrellas and were sipping from some pleasantly cooling glasses of a pale green fizzy concoction the name of which I’d already forgotten, although Quarnax was drinking his out of politeness rather than any physiological need.

“Yes,” he went on, “sedimentary rocks are an interesting topic, subject to quite a bit of debate”.

I could tell he was about to go into “lecture mode” so I settled back to listen.

“I mean volcanic stuff is easy, gather up whatever iron and dust based crap you have lying around in an asteroid belt and melt it - you don’t even need to tap into the infra or ultra-space energy grids, just put up a big focussing mirror and use sun light.”

“But sedimentary, now that takes time, millions of years and freely running water, and if you want something like limestone you really need sea life as well - that’s not going to fit into your typically construction timeline!” He laughed at his own joke and I smiled politely.

“I know some civilisations (and even a couple of my fellow GSV constructors) just fill the orbital with water and slap in a few islands - you can get pretty much all the water you need from the Kuiper Belt but me, I like a good land mass, and you can’t have a decent landscape without at least some sedimentary ‘scaping’”.

“There’s a couple of what you might consider artificial approaches. Obviously you could use nano-assemblers, although that sounds a bit silly when you’re talking in the megaton range! I’ve done it a few times but I’m not a fan, it needs a lot of entropy to get a supposedly realistic result and it still never looks right to me. Sometimes it’s your only option if you don’t have good feedstock and have to start from the lower numbered elements…”

“Uh hu”, you say, suspecting that Quarnax could go on for some time like this but it seemed polite to acknowledge him every now and then.

“I’ve had more success with what you might call accelerated accretion and try to reproduce the natural process at a faster pace. So layers of dirt, laid down by flowing water, twiddle the gravity and pressure, hydraulic rams and platforms to get some interesting deformations and then bake for a while. Works nicely and I’ve got a couple of megaton class ovens in a medium bay pretty much dedicated to working on this full time, ready to deploy next time I build an orbital. I tend to stack them down at the bottom of the hull, never seem to be able to make those spaces attractive to the inhabitants so might as well use them for storage, and its easy for the super-lifters to get at them.”

“How many super-lifters do you have?”. I thought I should ask a question at this point.

“Excellent question!”. Quarnax was really pleased with that one, obviously a good way to show I was paying attention. “Most GSVs of my class would think I’ve got way too many! At least three times what is considered a normal complement but with orbital construction you can’t have too many prime movers and I really like to get stuck in as soon as I can! They do get a bit competitive at times though, ‘lifter wrangling can be a bit of handful - damn things are like a herd of …” (something I didn’t catch but assumed to be a cat analogue).

“Anyway, you’re getting me off the subject - as well as the artificial process I really like to use the real stuff. Sometimes you can find it just floating around, especially if you’ve got one of the smaller rocky planets that had a wet phase early in the system formation and then got broken up in a collision or something. Can find some big crustal plates just ready for dropping into the landscape.

“In fact I’ve got feelers out through most of the arm looking to catalogue all the useful potential masses - some of our candidate species like to help us out, build up kudos you know, think it might help get them accepted? Anyway I’ve let it be known that any notification of free floating planetary crustal material could well build up a bit of credibility credit, if you know what I mean? Nonsense of course but it gives them something to do and it’s not like anyone else is using them for anything. I’ve even got a couple of what you might call “not totally adjusted” individuals who never really “gelled” with us and like the solitary life. I try to give them a sense of purpose by sending them out on scouting missions.”

That was interesting - the Culture prided itself on its inclusivity and acceptance and didn’t really like to admit that some people just didn’t fit in no matter how much accommodation they made.

“Sometimes you know an up and coming civ’ will try to get into our good books by offering a particularly juicy landmass for use on an orbital, especially if it is in the way of some project or other they want to do. Couple of times I’ve taken an inconvenient mountain out of someone’s city, or levelled off the top so they can turn it into a spaceport, that kind of thing. Sometimes up in to the giga-tonne range, right out of the gravity well! Of course that’s where all the ‘lifters come in handy and it looks jolly impressive, really puts the wind up the natives seeing a bloody great rock hanging in the air above them like that!”

I was pretty sure you weren’t really supposed to say those bits out loud but Quarnax was still talking. “And then sometimes you do just have to take a planet apart - not inhabited ones obviously! But if I’m building in an asteroid poor system and there’s a little rocky planet just lying there then there’s not really another option. I’m always a bit reluctant to do it, I much prefer working with asteroid junk, after all they’re just hazards to navigation and clearing them up does folk a favour. If I do have to dismantle a planet I’m always careful to preserve as much crust as I can, all those nice weathered edges and stuff that I can re-use. Some constructors will just find another unwanted minor planet, stick some mass drivers on it and redirect the orbits to smash them together but I find that inelegant and it makes a right mess of the surface. My preferred method is to deep drill down through the mantle and put some anti-matter bombs there, blast the crust into space. Quite spectacular to see, you should come watch some time”.

“I’d like that - in fact I find the whole idea of genuine, actual “world building” fascinating, making something that people want to live on…”

“Ah yes, that’s the actual art of it, you know its really nice to talk to someone who really appreciates this stuff - most of you average orbital dwellers just take it all for granted, never even thinking about all that empty space just a k or so under their feet.”

“So is that the average thickness then?”

“Ah, another perceptive question!” I smiled inwardly, secretly pleased to be holding up my end of the conversation. “There’s a funny thing about you planet dwellers, no offence. I can build you a module, totally transparent and put you in space. You’ve got your air, warmth all that stuff but your brain really doesn’t like that lack of something solid. Can’t fight billions of years of evolution - yes, there’s people who will say things like “Oh no, I’m totally cool with it, let me just float man” but its all bollocks, you can see it in the midbrain if you deep-scan, baked-in uneasiness.”

“But then I can take that same module, spray it with a layer of grey paint a couple of molecules thick, leave a nice little porthole to look out of any they are absolutely fine. Back in the cave and all that. Completely same situation, totally different perception.”

“Same with orbitals. True they do need a lot of raw strength so I do have to use a metre or so of base material as the absolute minimum for structural strength and you can support quite a bit a vegetation with just half a meter of dirt but you tell that to a planet dweller and that midbrain lights right up again! Just knowing there’s all that blackness and cold and stuff not much more than an arms length below makes them all twitchy. They even starting taking baby steps, like any sudden movement will crack the whole thing!”

“Anyway, there’s been loads of studies done, cross-species and everything and they all agree that to make a planet dwelling species happy on an orbital you take the number of primary manipulators (that’s usually their counting base) and multiply that by the average adult height and that’s how thick you need to make the shell! Weird eh? So I tell you that the orbital is, what, at least 20 or so meters thick and everything’s cool again, that old midbrain can’t tell the difference between that and an actual planet! We tend to use 50 to 1000 meters as a typical thickness, just to give some decent landscape height variation and to help manage erosion - we want to have plenty of time to fill in the holes before the little people see the base material! There’s usually more over mountains, even though they are mostly hollow and full of ship docks or material storage and stuff and of course we push the base material out to make space for oceans sometimes, but yeah, call it a klick and you aren’t far wrong.”

At this point your head is starting to hurt just trying to take in the scale of things and the sun line is dimming. Quarnax managed to stop talking long enough to realise that I was getting tired, perhaps with a subtle subliminal hint from Serious, who was well used to me by now.

“Well, anyway, I’d best be going. Look, I’d really like to do this again if you want to know more - and if you’ve got any landscaping ideas let me know - anything good on whatever planet you came from? Have a think, always openings for designers!”

I thanked him, genuinely. I’d learned a lot, and actually understood more than I expected and here was something I had not anticipated, a job offer. Well, not a job really, the Culture didn’t really expect any work as such, other than work at enjoying and experiencing as much of everything as possible but there were certainly many people here with vocations. The barista at this cafe didn’t have to do anything but clearly enjoyed the work and met people - top side park was a busy and popular spot. I’d never considered being able to contribute anything, other than being some sort of research subject, able to to give definitive answers about the old home-world (although even that was a bit of a stretch as my knowledge of current affairs and history was shaky at best). But landscapes, yes, I could do that, I’d been around on some good holidays, seen the sights, watched a lot of travel shows. Maybe this was something I could really contribute back to the Culture which had taken me without expecting anything in return (at least, I didn’t think so).

I shook hands with Quarnax, he seemed to recognise the gesture, perhaps it was a common one or he had done a bit of prior research on my species customs. Whatever, it felt to have made my first real friend and maybe found a role, however vague the promise.

Feeling much more confident about things that I had since I arrived, I set off for my apartment, stepping confidently across the park in what, I realised after some time, was completely the wrong direction. I knew the Serious kept a close eye on me lest I make some terrible social faux-pas or get myself killed in some interesting but ultimately rather stupid fashion so they could at least have bipped my terminal pen ten minutes ago. Probably laughing right now. Rude bastard.

Great When

Thu, 11 Jun 2026 00:00:00 +0100

This is what you get when someone with a rich and powerful imagination is able to combine it with a marvellous command of descriptive language.

Set in the immediate post-war period in a heavily bomb scarred London our hero, Dennis, inadvertently takes possession of a book from a bizarre alternate London. In his attempts to return it and thus undo the rift it has opened up he meets a range of brilliantly drawn characters, many of whom speak in a surprisingly readable cockney vernacular, and all of whom have real depth.

I like that the ostensible “story” (returning the book “McGuffin”) is actually resolved about halfway through and a completely new and unexpected story arc takes over. I also like that, at least in this first volume, there is no real redemption for Dennis; indeed he ends in very much the same state as he started, minus his bad frame. Nothing about this book follows the standard tropes – it is an amalgam of Neverwhere, Rivers of London and Unlundun but arguably better than all of them, at least in terms of imagination and the beauty of language.

I’ve already bought the second volume, in a beautiful special edition Waterstones hardback, and recently found it that another three are planned.

I commend this book to anyone interested in urban fantasy, or just having an appreciation for the craft of writing. Interesting, enjoyable and far from predictable. Great work!

Cut Throat Trial

Tue, 09 Jun 2026 00:00:00 +0100

As you would hope from someone actually practising the trade this is an intimate and detailed exploration of the inner and outer lives of barristers involved in an imaginary trial.

This is a court room drama that almost entirely takes place inside the court buildings, so we see things almost as if we are a member of the legal team; outside events are largely reported after the fact.

We have all the expected legal tropes, a gruesome murder, competent police, unreliable witnesses and hidden motives. There is the obligatory twist at the end, hinging on the not entirely convincing habit of the abbreviations used for defendants in a defendant’s phone, but for me the twist was not actually necessary. What was most interesting was the back and forth of legal argument and the inner thoughts of the barristers and judge that are revealed to us with all their frailties and hang ups, and to see how the trial process actually works.

I read this in a couple of days so it was clearly compelling and I did look forward to reading it. I’ve read the Secret Barrister’s non-fiction so I did have some expectations, but I think it is fair to say that this to some extent did exceed them.

Best of the World

Mon, 08 Jun 2026 00:00:00 +0100

A blandly meaningless title hides a surprisingly moving and interesting show, almost entirely thanks to the genuine likeability and open honesty of the presenter Antoni Porowski.

The Guardian was a bit sniffy about this, reckoning that it was little more than a random collection of city based experiences with no apparent purpose or reason other than many of them being food related. And superficially that is true, there is no real rationale either for the choice of cities or the selection of six or so attractions in each of them, and in less sincere hands this could well have been an exercise in pointlessness.

Antoni however raises this travel show above the ordinary with his infectious enthusiasm for people and places and stories, as well as being very easy on the eye.

He comes across as very real whether he is manfully trying to interview cold water swimmers whilst clearly shivering his ass off; expressing ironic delight at being splashed on the lips by the brown water of the Thames; or greeting his partner at the end of the New York marathon, an event he freely admits to paying no attention previously, despite being a New York resident.

A delightful show. Unfussed, random but with hidden gems – I would gladly watch a second (and third!) series.